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  • Tags: twentieth century

Jenny and Bobby arrive at Lough Derg in the rain and are greeted by the sight of the lake and the pilgrims waiting to cross

Jenny struggles with her sense of spirituality as she completes the circuits of the penitentian beds

Jenny gets a sensory impression of the island as she approaches and encounters its contents and topography

As Jenny completes the stations at the penitential beds, she reflects on the power of repetition and prayer and feels the elements

The story opens as Jenny asks to visit Patrick's purgatory, to the confusion of her male companion Bobby

"Friars' Island is unmistakable, because it is the nearest to the ferry. Unfortunately, the origin of its name is unknown..."

"Lough Derg is dotted with forty-six small islands, some of them graced with shrubs and occasional rowans or ash, but the greater number are only bare rocks projecting out of the water..."

"About twenty of the victims were buried on Friars' Island, where fir-trees on a mound show their grave to-day..."

As they drive towards Lough Derg, Bobby interrogates Jenny as to her motivations for wishing to visit Lough Derg this year of all years. She responds that it is a particularly Irish form of religious devotion and expression.

Bobby expresses his confusion at the extravagant embodied devotion and extreme austerity of the pilgrimage to Lough Derg and that it exposes a side of Jenny that he has never seen before.
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