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              <text>Burn's Mountain, County Donegal</text>
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                <text>"About eight miles from the Four Masters’ School in Byrne’s mountain on the old foot-road across Croney to Lough Derg is a Holy Well called [Sliab Dub ?]. ( ½ ml. from the Donegal-Tyrone border)&#13;
&#13;
Local tradition says that as Saint Patrick was going to 'The Island' he got thirsty and he came upon a spring well. He drank out of it and then he blessed it.&#13;
&#13;
There is a cure for toothache sore-heads and sore legs at this Holy Well.&#13;
&#13;
When anyone takes away a bottle of the water it must be corked with rushes from the well-side.&#13;
An old rag or some such thing is supposed to be left at the Well after a visit."</text>
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                <text>The Schools’ Collection, Volume 1035, Page 199</text>
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                <text>"The Friary is a townland on Killymard ([Cill O mBárd]) side of Lough Eske. It was here the Friars settled when banished from Donegal and ministered to the spiritual wants of the neigh-bouring districts.&#13;
&#13;
There is now no sign of a church or building there but Tobar na mBrathar agus Roisín as well as Droichead na mbráthar and Casán na mbráthar all close by, seem to be associated with their activities here."</text>
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                <text>The Schools’ Collection, Volume 1035, Page 178</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="8639">
                <text>CC BY-NC 4.0 International License</text>
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        <name>Catholicism</name>
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        <name>County Donegal</name>
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                  <text>A collection of items detailing the medievalisms of Lough Derg's pilgrimage, the continuing process of creating the Middle Ages through the lake and its islands.</text>
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                  <text>Digital Derg: A Deep Map</text>
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              <text>'Vis booc'. Adriaen Coenensz. S.l., 1577-1580. With watercolour drawings made by himself. - Provenance: Jacob Visser collection, 1809. - 78 E 54, fol. 53v-54r</text>
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                <text>Dutch Map of Ulster with Purgatory</text>
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                <text>Curator's description: "In 1577, at the age of 63, Adriaen Coenensz from Scheveningen, a Dutch fishing port, started his Vis booc. Over a period of three years he collected all kind of information about the sea, the coasts, and coastal waters, fishing grounds and marine animals: 410 pages written by an expert. Throughout his life he had earned his living from the sea, as fisherman, as wreck master of the county of Holland, and from 1574 as official fish auctioneer at Scheveningen."</text>
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                <text>Adriaen Coenen, 1577-80</text>
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                <text>KB: National Library of the Netherlands</text>
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                <text>KB: National Library of the Netherlands, digital collections</text>
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                <text>317 x 215 mm.</text>
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                <text>In 1577, at the age of 63, Adriaen Coenensz from Scheveningen, a Dutch fishing port, started his Vis booc. Over a period of three years he collected all kind of information about the sea, the coasts, and coastal waters, fishing grounds and marine animals: 410 pages written by an expert. Throughout his life he had earned his living from the sea, as fisherman, as wreck master of the county of Holland, and from 1574 as official fish auctioneer at Scheveningen.&#13;
&#13;
Coenensz made nearly every page into a miniature work of art by framing his texts and illustrations by borders, edges and cartouches painted in water colour. He must have realised the special value of his book, as appears from the minutes of the court sessions in Leiden from 1583. They contain a note indicating that Coenensz asked permission for his book and his collection of dried fish ‘to be shown on the coming free annual fair and the festival of the relief of the city [3 October], receiving from every person five cents and from those wanting to see the book twenty-five’. So looking at his book was five times as much as marvelling at his dried fish. Coenensz certainly cashed in on his knowledge. On the reverse of folium 11 he even promoted it:&#13;
&#13;
'Whoever reads or studies it&#13;
May spread the word to Another&#13;
that he may see and hear'.&#13;
&#13;
One of the marvels of the sea that the inhabitants of Leiden could admire in the book was ‘The true Portrait and size of this whale that has been captured on the ij of July AD m.d.lxxvij’, painted in water colour over two pages. Coenensz had drawn this whale after an engraving that had appeared in the same year (1577). Drawing and caption record an event that would also be considered newsworthy in our own time: a whale cast ashore. The whale depicted here landed in shallow waters, the Scheldt near Doel above Antwerp, and attracted a lot of attention. A few years later Coenensz made a second book, based on this manuscript, the whale manuscript, which is now in Antwerp; a third, also with drawings of whales, is part of a collection in Cologne.</text>
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