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              <text>"Mingled with these devotees, is another body of the faithful, no less necessary to the due 'getting up' of the drama. These are composed of men, women, and children, afflicted with every species of disease, whose friends have brough them thither, or who have spontaneously come, in the hopes of cure, natural or supernatural. As the masses proceed, one or other of these imposters feels or feigns recovers. First, a shrill voice, pipingly announces the fact; organs more powerful next proclaim it; then shout the press within, A miracle! - A miracle! the outer crowd repeat, in a grander key; which, borne on the glassy surface of the lake, to the expectant multitude who line its shores, is again and again echoed, till the distant mountains receive it into their lonely caves, and give it back again in dying tones, to the ears of those who first published the monstrous fallacy. 'A miracle the woods, a miracle the floods, a miracle the vaulted roofs resound'."</text>
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                <text>Knox criticises the superstitious hysteria for miraculous cures</text>
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                <text>Pastoral Annals. By an Irish Clergyman [i.e. James S. Knox], pp. 379-80</text>
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                <text>https://books.google.com.mm/books?id=kIIuAAAAYAAJ&amp;pg=PP1#v=onepage&amp;q=lough%20derg&amp;f=false</text>
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                  <text>Digital Derg: A Deep Map</text>
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              <text>"[The pilgrim] will embark on a mountain-locked lake that is just as secluded to-day as when Saint Patrick was attracted to its solitude. The physical features of the landscape have remained practically unaltered through the centuries. Its lonely aspect is the same as in the fifth century; the eye may still rest on all that Patrick saw: in the west, Croagh-Breac (the Speckled Stack); in the east, Kinangoe; behind the one the same solemn sunsets still gild the sky, above the other appear the same fresh dawns." (p. 167)</text>
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                <text>"A mountain-locked lake that is just as secluded to-day as when Saint Patrick was attracted to its solitude"</text>
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                <text>A description of the timeless nature of Lough Derg, a window into the early days of Irish Christianity</text>
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              <text>"A Mile South East from [Pettigo], near the East Bank of a small River is a noble Nitro Sulphurious Spa, reputed a grand Antiscorbutic a good purger of watry Humours &amp; a speedy remedy for the Cholic. Numbers resort hither who meet with Success in those Disorders. The Water is limpid of a whitish Cast, but intollerably fetid, in Smell &amp; Taste not much unlike rotten Eggs mixed with the washing of a foul Gun barrel, the Sides of the Well are covered with a white Crustation, some blades of Grass found in the Well were tinged with a Copper Colour. By an Infusion of Galls it was changed into a thick muddy blackish Whey Colour, it left a great Sediment on the Sides &amp; Bottom of the Glass &amp; seemd to dissolve the scraping of ye Galls: the Infusion of Logwood turned it into a deep purple, a Silver Sixpence in 15 minutes was changed into a deep Yellow inclining to black &amp; continued so for several Days, several persons send for this Water."</text>
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              <text>Austin Cooper, A Journey to Lough Derg in Journal of the Royal Society of Antiquaries of Ireland, Ed. [Royal Irish Academy]. , Dublin , University Press (1892) volume 22 page 13–24; 126–136</text>
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                <text>An eighteenth-century treatise describing a trip from Dublin to Lough Derg</text>
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              <text>"Many pilgrims surveying the crowds during the night vigil promise themselves that, on their following night of freedom, they will look down from their cubicle windows at the fascination of the scene, when the people emerge and group themselves in the loggias. The many windows of the lighted Basilica shine like amber panels in the darkness and all around it is the glint and stir of water. It is like the setting of some superb operatic scene. But I never knew a pilgrim to realize this pleasant project. The fresh air that blows across the lake, bringing the Atlantic ozone from Donegal Bay, makes sleep on the second night and impervious and inescapable necessity when added to the fact that the average pilgrim has put in about forty hours without sleep."</text>
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              <text>"LETTER XIV.&#13;
TO J. D. ESQ., M. P.&#13;
&#13;
To day I was present at an interview granted by the Prince to two contending parties, who came to ask law of him, as they term it. This, I am told, the Irish peasantry are ready to do upon every slight difference; so that they are the most litigious, or have the nicest sense of right and justice of any people in the world.&#13;
&#13;
Although the language held by this little judicial meeting was Irish, it was by no means necessary it should be understood to comprehend, in some degree, the subject of discussion; for the gestures and countenances both of the judge and the clients were expressive beyond all conception: and I plainly understood, that almost every other word on both sides was accompanied by a species of local oath, sworn on the first object that presented itself to their hands, and strongly marked the vehemence of the national character.&#13;
&#13;
When I took notice of this to Father John, he replied,&#13;
&#13;
“It is certain, that the habit of confirming every assertion with an oath, is as prevalent among the Irish as it was among the ancient, and is among the modern Greeks. And it is remarkable, that even at this day, in both countries, the nature and form of their adjurations and oaths are perfectly similar: a Greek will still swear by his parents, or his children; an Irishman frequently swears ‘by my father, who is no more!’ ‘by my mother in the grave!’ Virgil makes his pious Ã†neas swear by his head. The Irish constantly swear ‘by my hand,’—‘by this hand,’—or, ‘by the hand of my gossip!’ * There is one who has just sworn by the Cross; another by the blessed stick he holds in his hand. In short, no intercourse passes between them where confidence is required, in which oaths are not called in to confirm the transaction.”&#13;
&#13;
     * The mention of this oath recalls to my mind an * anecdote&#13;
     of the bard Carolan, as related by Mr. Walker, in his&#13;
     inimitable Memoir of the Irish Bards. “He (Carolan) went&#13;
     once on a pilgrimage to St. Patrick’s Purgatory, a cave in&#13;
     an island in Lough Dergh, (county of Donegal) of which more&#13;
     wonders are told than even the Cave of Triphonius. On his&#13;
     return to shore, he found several pilgrims waiting the&#13;
     arrival of the boat, which had conveyed him to the object of&#13;
     his devotion. In assisting some of those devout travellers&#13;
     to get on board, he chanced to take a lady’s hand, and&#13;
     instantly exclaimed ‘dar lamh mo Chardais Criost, [i. e. by&#13;
     the hand of my gossip] this is the hand of Bridget Cruise.’&#13;
     His sense of feeling did not deceive him—it was the hand of&#13;
     her who he once adored.”&#13;
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              <text>"POLONIA. Attend.&#13;
This mighty mountain, rock bestrown,&#13;
Full well the dreaded secret knows;&#13;
But no one to its centre goes&#13;
By any path o'er land alone:&#13;
He who would see this wondrous cave&#13;
Must in a bark put forth and tempt the lake's dark wave.&#13;
&#13;
...&#13;
&#13;
POLONIA. Attend.&#13;
This darksome lake doth all surround&#13;
The lofty mountain's rugged base,&#13;
And so to reach the awful place&#13;
An easy passage may be found:&#13;
A sacred convent in the island stands,&#13;
Midway between the mountain and the sands.&#13;
&#13;
Some pious priests inhabit there,&#13;
And for this task alone they live,&#13;
With loving zeal to freely give&#13;
The helping hand, the strengthening prayer —&#13;
Confession, and the Holy Mass,&#13;
And every needful help to all who thither pass.&#13;
&#13;
Telling them what they first must do,&#13;
Before they dare presume to go,&#13;
Alive, within the realm of woe.—" (Act III, Scene VII)</text>
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                <text>"An easy passage may be found"</text>
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                <text>Theatre--Seventeenth Century--Pedro Calderón de la Barca--Saint Patrick's Purgatory</text>
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                <text>"This mighty mountain, rock bestrown,&#13;
Full well the dreaded secret knows;&#13;
But no one to its centre goes&#13;
By any path o'er land alone..."</text>
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                <text>Pedro Calderón de la Barca, 1600-1681</text>
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                <text>Barca, Pedro Calderón de la, The Purgatory of St. Patrick, trans. by Denis Florence MacCarthy, Act III, Scene VII</text>
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                <text>54.6153, -7.8864</text>
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                <text>http://www.gutenberg.org/ebooks/6371</text>
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