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            <text>"LETTER XIV.&#13;
TO J. D. ESQ., M. P.&#13;
&#13;
To day I was present at an interview granted by the Prince to two contending parties, who came to ask law of him, as they term it. This, I am told, the Irish peasantry are ready to do upon every slight difference; so that they are the most litigious, or have the nicest sense of right and justice of any people in the world.&#13;
&#13;
Although the language held by this little judicial meeting was Irish, it was by no means necessary it should be understood to comprehend, in some degree, the subject of discussion; for the gestures and countenances both of the judge and the clients were expressive beyond all conception: and I plainly understood, that almost every other word on both sides was accompanied by a species of local oath, sworn on the first object that presented itself to their hands, and strongly marked the vehemence of the national character.&#13;
&#13;
When I took notice of this to Father John, he replied,&#13;
&#13;
“It is certain, that the habit of confirming every assertion with an oath, is as prevalent among the Irish as it was among the ancient, and is among the modern Greeks. And it is remarkable, that even at this day, in both countries, the nature and form of their adjurations and oaths are perfectly similar: a Greek will still swear by his parents, or his children; an Irishman frequently swears ‘by my father, who is no more!’ ‘by my mother in the grave!’ Virgil makes his pious Ã†neas swear by his head. The Irish constantly swear ‘by my hand,’—‘by this hand,’—or, ‘by the hand of my gossip!’ * There is one who has just sworn by the Cross; another by the blessed stick he holds in his hand. In short, no intercourse passes between them where confidence is required, in which oaths are not called in to confirm the transaction.”&#13;
&#13;
     * The mention of this oath recalls to my mind an * anecdote&#13;
     of the bard Carolan, as related by Mr. Walker, in his&#13;
     inimitable Memoir of the Irish Bards. “He (Carolan) went&#13;
     once on a pilgrimage to St. Patrick’s Purgatory, a cave in&#13;
     an island in Lough Dergh, (county of Donegal) of which more&#13;
     wonders are told than even the Cave of Triphonius. On his&#13;
     return to shore, he found several pilgrims waiting the&#13;
     arrival of the boat, which had conveyed him to the object of&#13;
     his devotion. In assisting some of those devout travellers&#13;
     to get on board, he chanced to take a lady’s hand, and&#13;
     instantly exclaimed ‘dar lamh mo Chardais Criost, [i. e. by&#13;
     the hand of my gossip] this is the hand of Bridget Cruise.’&#13;
     His sense of feeling did not deceive him—it was the hand of&#13;
     her who he once adored.”&#13;
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        <name>Original Format</name>
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            <text>Project Gutenberg eBook</text>
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          <name>Title</name>
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              <text>"An anecdote of the bard Carolan"</text>
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              <text>Lough Derg--Fiction--Account--Pilgrimage</text>
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              <text>Anecdotes about the pilgrimage to Saint Patrick's Purgatory</text>
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          <name>Creator</name>
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              <text>Lady Sydney Morgan (AKA Sydney Owenson), 1781-1859 </text>
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              <text>Lady Sydney Morgan, The Wild Irish Girl, Vol. I and II: A National Tale, In Two Volumes, Letter XIV</text>
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          <name>Publisher</name>
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              <text>P. M. Haverty: New York</text>
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              <text>1879</text>
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              <text>Public domain</text>
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              <text>Epistolary Novel</text>
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              <text>DD_0581</text>
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              <text>54.6083, -7.8714</text>
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          <name>References</name>
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