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              <text>“…[A]s we rowed away from the island, I busied my mind with supposing the various characters of priests and friars that have sat in that window, observing the freights of human folly that were discharged from this little boat before their eyes. I fancied one, a man, who had from his infancy to manhood, year after year, taken up a new trammel of submissiveness to authority under the bearing-down system of Popery, until his intellect was enveloped amidst the cords that tied it up ; and there he sat, deluded and deluding— the slave of a talisman, which, if he had the courage to strike with one vigorous thought, would have shivered into atoms. Another I fancied as one who gloated on the lucre of the craft, and who sat in his window, counting the coming pilgrims—his avaricious heart beating quick with delight, as he measured the boatfuls of people coming over to add to the store of money he was collecting, and which was to him as a God;—and then I conceived another ecclesiastic sitting sadly in that casement ; every deep line in his countenance denoting the inward struggles and discontent that consumed him—sitting there as the abettor of a fraud that his soul revolted at—acting there a part in a drama that at one time forced him unfeignedly to laugh, and at another time to weep; and yet still without courage to break through the guards that custom, associations, and the frown of others drew around him—with the deep compunctions of the guilty—without the courage of a martyr—the Breviary he was forced to read—his abomination—the Bible, which some secret force impelled him to examine, his accuser, and at the same time convincer—thus a child of light walking in darkness, who would not mourn over, yes, and find excuses too for such a man, when in the gaudy vestments that covered his abased body and his suffering soul, he administered those rites he knew were idolatrous ; and took a part in those absurd and monstrous superstitions which he felt were as contrary to the simplicity of the Gospel, and the truth as it is in Jesus, as darkness is to the risen light.”</text>
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                <text>Caesar Otway imagines the avaricious monks of Station Island in the Middle Ages</text>
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                <text>Caesar Otway, 1780-1842</text>
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                <text>Otway, Caesar, Sketches in Ireland: Descriptive of Interesting, and Hitherto Unnoticed Districts, in the North and South, 175-77</text>
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                <text>W. Curry, jun. and co.; [etc., etc.], Dublin; First published, in part, in the Christian examiner. cf. Pref. A series of letters signed "C. O.", the first four entitled "Sketches in Donegal", the last five "Sketches in the south of Ireland."</text>
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                <text>1 p., ℓ., iv, vi, 411 p. 19 cm. </text>
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              <text>"'This lake has its legends, I suppose?' said the Captain.&#13;
&#13;
'Of course it has,' said the Parson ; 'and of course they take their tone from its scenery. I will tell you one that is peculiarly characteristic ; it is called "the March of the Dead Maguires." The lake is, as you see, of a rounder form than most lakes ; and whether it is from that cause, or whether there is anything peculiar in the shape of the hills that surround it, I do not know, but in certain winds there is a heavy roller of a wave that runs along its shores, and looks as if it were sweeping round and round the lake, setting all the reeds and bulrushes in motion, and dragging, as it were, the great beds of lake-weed after it.&#13;
&#13;
'Now the legend is, that the great Maguire, of whom I told you last night, when he saw his island sunk, took it as a sign of Heaven's displeasure ; and giving up all thoughts of resistance, dispersed his clan, and retired with a few faithful followers to Lough Derg. His intention was to pass the remainder of his life in the religious seclusion of the Purgatory ; but whether he had been rejected by the church, or whether he had committed any particular crime, or whether a peculiar mode of purgation had been prescribed to him, I do not know, but, as he crossed the lake, a furious tempest arose, and he and his people were overwhelmed in the dark waters. And it is said that, from that time to this, whenever any misfortune threatens Ireland, the dead Maguire winds his ghostly bugle, and summons to his train not only those of his own clan who fell in the wars or perished afterwards in the horrible massacres of Cromwell, but also all those of his name who have died in arms against the Sassenagh from time immemorial ; and the whole train of spirits, thousands upon thousands, each in the dress and arms of its own century, march round and round the lake under its waters, heaping up the waves before them, and leaving traces of their past age in the broad stains of blood among the trampled weeds.'"</text>
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                <text>An account of Lough Derg folklore on a fishing trip, explaining the strange circular currents of the lake in supernatural terms</text>
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                <text>Henry Newland, 1804-1860</text>
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              <text>i.&#13;
In a girdle of green, heathy hills, &#13;
In song-famed Donegal, &#13;
An islet stands in a lonely lake, &#13;
(A coffin in a pall), &#13;
&#13;
A single stunted chesnut tree &#13;
Is sighing in the breeze, &#13;
While to and fro “the Pilgrims” flit, &#13;
Or kneel upon their knees; &#13;
&#13;
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From Antrim and the Bosses, &#13;
Come barefoot pilgrims, men and maids, &#13;
Through water-ways and mosses; &#13;
&#13;
And some from Dublin city, far, &#13;
Where sins grow thick as berries, &#13;
From Sligo some, and Castlebar, &#13;
Come crossing by the ferries. &#13;
&#13;
ii. &#13;
Oh ! blessed Isle, a weary wight, &#13;
In body and in spirit, &#13;
Last year amid your pious ranks &#13;
Deplored his deep demerit; &#13;
&#13;
And though upon his youth had fall’n &#13;
A watchful tyrant’s ban. &#13;
Though sorrow for the unfought fight, &#13;
And grief for the captive man, * &#13;
&#13;
Peopled his soul, like visions &#13;
That cloud a crystal sleep, &#13;
These sorrows there pass’d from him — &#13;
’Twas his sins that made him weep. &#13;
&#13;
And forth he went, confess’d, forgiven. &#13;
Across the heathy hills, &#13;
His peace being made in heaven, &#13;
He laugh’d at earthly ills. &#13;
&#13;
iii.&#13;
Oh ! holy Isle, a ransom’d man &#13;
On a far distant shore, &#13;
Still in his day-dreams and his sleep &#13;
Sits by the boatman’s oar; &#13;
&#13;
And crosses to your stony beach &#13;
And kneels upon his knees, &#13;
While overhead the chesnut-tree &#13;
Is sighing in the breeze; &#13;
&#13;
And still he hears his people pray &#13;
In their own old Celtic tongue, &#13;
And still he sees the unbroken race &#13;
From Con and Nial sprung; &#13;
&#13;
And from departing voices hears &#13;
The thankful hymn arise — &#13;
That hymn will haunt him all his years, &#13;
And soothe him when he dies. &#13;
&#13;
iv.&#13;
Oh, would you know the power of faith, &#13;
Go ! see it at Lough Derg; &#13;
Oh, would you learn to smile at Death, &#13;
Go ! learn it at Lough Derg; &#13;
&#13;
A fragment fallen from ancient Time, &#13;
It floateth there unchanged, &#13;
The Island of all Islands, &#13;
If the whole wide world were ranged. &#13;
&#13;
There mourning men and thoughtful girls, &#13;
Sins from their souls unbind; &#13;
There thin gray hairs and childish curls &#13;
Are streaming in the wind ; &#13;
&#13;
From May till August, night and day, &#13;
There praying pilgrims bide — &#13;
Oh, man hath no such refuge left, &#13;
In all the world wide ! </text>
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In song-famed Donegal, &#13;
An islet stands in a lonely lake, &#13;
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For the Merovingian centuries left their land,&#13;
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Bespoke the grace to give without demand&#13;
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                  <text>A collection of items detailing the medievalisms of Lough Derg's pilgrimage, the continuing process of creating the Middle Ages through the lake and its islands.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>James L. Smith</text>
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            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3195">
                  <text>Digital Derg: A Deep Map</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <elementText elementTextId="3196">
                  <text>2019</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3197">
                  <text>CC BY, sui generis database</text>
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              <name>Format</name>
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                  <text>Omeka Collection</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>English</text>
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              <name>Type</name>
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                  <text>Digital Collection</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Lough Derg</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Portuguese portolan chart of Ireland</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Fifteenth century--Cartography--Ireland--Purgatory</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="3204">
                <text>A portolan chart of Europe by Grazioso Benincasa, showing the Aegean</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3205">
                <text>Grazioso Benincasa, 1470</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="3206">
                <text>British Library, Western Manuscripts Collection</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="3207">
                <text>1470</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Owned and digitised by British Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Creative Commons Attribution Non Commercial licence</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Vellum; 3 ft. 1 in. x 1 ft. 11 in</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>Latin</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Portolan chart</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="3213">
                <text>DD_0197</text>
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          <element elementId="53">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="3214">
                <text>This chart of Europe was drawn by Grazioso Benincasa at Ancona in 1470. It illustrates the detailed complexity of late portolan charts. Constantinople is in the centre, Crete at the foot and the intervening archipelago practically calls out for the fuller treatment provided by contemporary books of islands. The use of red to distinguish the more important place-names is a common feature on portolan charts.&#13;
&#13;
Authorship of this portolan is confirmed by the inscription at the neck: Gratiosus Benincasa Anconitanus Composuit Ancone anno domini mcccclxx. Die viii Octubrie. Benincasa was one of the most active 15th century Italian chart makers. The Bay of Cardigan is not shown on this map, the Welsh coast and that of northern England is a smooth curve, dating this chart to pre 1550. Scotland is an island, the knot tying England and Scotland is typical of Benincasa, who reproduced the standard nautical chart with this new feature. Ireland is shown with the fabled land mark, the Purgatory of St Patrick, an inland loch with many islands. The text records that there are 368 islands. A dark red circle to the left of Ireland is marked “Brazill”, known to exist due to classical legend, the location and form however are obviously as yet unknown. [Anthilia] is marked under the skin of the neck. This chart is interesting in that it shows the expansion of Portuguese knowledge of the coast of Africa. Spain and Portugal were hunting for the New World. The east coast of England is the most accurate area of Britain depicted on this chart. Crosses around the coast indicate rocks, a peril to ships. London is marked in red and the Thames is indicated.</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="8257">
                <text>54.616218, -7.876212</text>
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            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
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              <elementText elementTextId="8476">
                <text>British Library. Additional MS, 31318A</text>
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        <name>British Library</name>
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      <tag tagId="1">
        <name>cartography</name>
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      <tag tagId="261">
        <name>fifteenth century</name>
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        <name>Grazioso Benincasa</name>
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      <tag tagId="120">
        <name>islands</name>
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      <tag tagId="162">
        <name>purgatory</name>
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